Reviews/Léirmheasanna

Finally a few people have found enough vowals to write about me! (See my comment
below).


 
                

Bríd Ní Mhaoileoin

le/with Alan Burke

'Ar Mhuin na Muice'

HABRCD001 Habari Records 2004 (Own Label)



WHAT PEOPLE ARE SAYING:

"Bewitching" Hotpress Magazine, Dublin

"... a singer with an unquenchable fire in her belly" The Irish Times

"Cornish cream-like vocals ... an auspicious new vocal talent" Folk Roots

"...an exceptionally able debut ... a compelling collection." Geoff Wallis

"...impatient for fun and breathless with sweet huskiness..." Tommy Sands

"This album is a delight." Bruce Camron, Radio 2MCE-FM, NSW, Australia

"Sensitive and hauntingly beautiful" Rootsreviews

"An absolute treasure for any fan of Celtic languages or culture" Tradivarium.at

"A gem of World Music" Concerto Magazine, Austria



Folk Roots Magazine, UK, December 2004


Gaelic song has been blessed with some new vocal discoveries over the last few years. Bríd Ní Mhaoileoin is another one to conjure with; born in Kenya and spending her early years immersed in Masai tribal culture, until her family returned to Ireland and settled in the Ros Goill Peninsula, Co. Donegal. She cut her teeth touring with Donegal-based Ceoltóirí Ghoill, and appearing at festivals in Scotland, Wales, Brittany and the US, before emerging out front. Extensive stage work has prepared the road for this, her solo debut.

Ar Mhuin na Muice means on the pig’s back and is a confident and forthright work. In the company of ex-Afterhours and now Airla guitarist/singer Alan Burke, himself no mean Gaelic singer, she ploughs a vocal furrow of familiar and rare songs within the Irish language canon, plus two songs in English. Of the latter, The Fuschia immediately catches the ear with a gently unfolding melody, delivered in a distinctive vocal style, while An tSeanbhean Bhocht shines in a spacious stripped-down treatment. Stór a Stór a Ghrá exhibits a steely feistiness and a rarley heard Nion a Bhaoillaigh alludes to an auspicious new vocal talent. With florid arrangements and smooth-flowing production techniques neatly framing Ní Mhaoileoin’s Cornish cream-like vocals, the final result at times recalls early Clannad in their Dulaman/Crann Úll period. Ar Mhuin na Muice is a finely wrought statement of intent - investigate.
John O’Regan, Folk Roots Magazine, December 2004 www.frootsmag.com



Musical Discoveries, USA, October 2004


Striking vocals characterize Irish Gaelic singer Brid Ni Mhaoileoin's debut album, Ar Mhuin na Muice (translated to On the Pig's Back) (Habari Records (Ireland) 001, 2004) ... you'll want to play it again and again! *****

To read full article click here: www.musicaldiscoveries.com


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Rootstown, Belgium, September 2004


Bríd werd geboren in Kenia maar bracht haar kinderjaren door in Donegal, Ierland. Dat was de basis van waaruit ze als bodhrán-speelster en zangeres rondtrok met de familiegroep Ceoltóirí Ghoill. Midden de jaren 80 hield de groep het voor bekeken, Bríd ook en ze liet de muziek vijftien jaar links liggen. Bij wijze van spreken, want heel die tijd wist ze dat ze ooit wel eens een cd zou maken. In 2000 ontmoette ze zanger-gitarist Alan Burke en dat was meteen de geknipte persoon om mee samen te werken. Die collaboratie resulteerde in deze debuut-cd met bewerkingen van elf traditionals, één song van familievriend John McNutt (The Fuschia) en één gedicht dat ze op muziek zetten (An tSeanbhean Bhocht; heel mooi gedaan!). Brid zingt deze liedjes in het sean-nós, speelt zelf een aantal keren de bodhrán en wordt vergezeld door Alan (gitaar; lead vocals op An Trocaillín Donn), Kate Dunne (accordeon), Joe McHugh en Francis McIlduff (pipes & whistles), Kevin O’Connor (fiddle), Ian Smith (piano), Wolf Zwiauer (bas) en een paar familieleden die de backing vocals doen. Sowieso een genietbare plaat voor wie houdt van traditionele Ierse zang omringd door een traditionele instrumentatie. Dé hoogtepunten van de plaat zijn echter de a capella gezongen songs Ailiú Éanaí, A Stór A Stór A Ghrá en ’Níon A Bhaoilaigh dat ze helemaal op haar eentje brengt. Geen opzienbaring, gewoon een prima debuut. (MN)
Marc Nolis, Rootstown, September 2004 www.members.tripod.com/RootsTown




Geoff Wallis, irishmusicreview August 2004


"...a compelling collection". Click here to read the full article.
Geoff Wallis, www.irishmusicreview.com August, 2004




Concerto Magazine, August 2004


Wenige wissen, welche weltmusikalischen Schätze in Österreich im Verborgenen leuchten. Die in Graz lebende irische Sängerin Bríd Ní Mhaoileoin bringt ihr Licht an die Öffentlichkeit und veröffentlichte heuer ihre erste CD - mit tatkräftiger Unterstützung des Sängers Alan Burke [Afterhours], in der irischen Szene bekannter Instrumentalisten wie Francie McIlduff, Joe McHugh und Kevin O’Connor sowie ihrer Geschwister Caitlín und Pádraig. Als Teenager war die in Kenia gebürtige Bríd Ní Mhaoileoin Leadvokalisten ihres Familienensembles Ceoltóirí Ghoill, mit dem sie bei Festivals in ganz Europa mit gälischen Gesängen aus ihrer Heimat Donegal und solchen in Swahili begeisterte. Auch "Ar Mhuin na Muice" enthält einige wunderschöne Lieder aus dem wilden, sturmumtosen Donegal im Nordwesten Irland, aber auch aus anderen Regionen. Geschmackvoll dargeboten und arrangiert, mit Texten in Gälisch und Englisch sowie üppigen Informationen zu den Liedern und ihrer Geschickte.
Richard Schuberth, Concerto Magazine, August, 2004 www.concerto.at




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Irish Music Magazine, August 2004


    "Anyone with maybe just a wee bit more than a smidgen of Gaelic will know that the title of Bríd Ní Mhaoileoin’s new CD, "Ar Mhuin na Muice", means "On the Pig’s Back". And that in turn means that one is doing well, or as they say in Donegal where Bríd spent her childhood, ‘doing rightly’ because there are no great financial worries. And that includes Alan Burke, singer/guitarist, "the musical partner she had been looking for" and whom she met three years ago. During her childhood and into her early teens, Bríd played wuth the family group Ceoltóirí Ghoill. They travelled Ireland, Scotland, Wales, Brittany and the U.S.
    The group sang in English, Gaelic and Swahili. The first two languages need no explanatioin - but Swahili! That’s because Bríd was born in Kenya - to be near the mother. Her address today is in Austria where this CD was launched in early May and a week later there was a repeat performance at Club Chonradh na Gaeilge in Dublin. In her distinctive Donegal accent Bríd sings twelve songs of varied background and type, and Alan sings one. The first song on the CD, "Bídeach na gCarad" is a love song from Connemara; it’s followed by "The Fuschia", a ‘pride of place’ song in English by Bríd’s family friend, tweed designer John McNutt from Ros Goill in north Donegal.
    Farther along Bríd sings a song she heard sung by the Kerry singer, Seosaimhín Ní Bheaglaoich; there‘s the well-known children’s song "Ailiú Éanaí"; next is a song from the 1798 United Irishmen revolutionary period, "An tSeanbhean Bhocht". The next song needs no introduction either: "Green Grows the Laurel". Alan finishes off the thirteen tracks with a delightful rendition of a song based on a true story, "An Trucaillín Donn". It’s about a man who was prosecuted in 1910 for having his name on his cart in Irish. He lost, but everybody else then put their names on their carts in Irish, and the law couldn’t do nothing about it!
    Bríd is well served by her guest musicians who include Kevin O’Connor, (fiddle), Joe McHugh (pipes, whistles), Kate Dunne (accordion), Pádraig Ó Maoileoin (guitar/vocals), Caitlín Ní Mhaoileoin (vocals) and Ian Smith (piano, vocals).
Aidan O’Hara, Irish Music Magazine, August, 2004

If you look in an English dictionary, you will find that "on the pig’s back" also means "to have no financial worries". But If you look at what is said in the cd booklet about song number 12, you’ll see that it is not very likely that this was the meaning that was being taken from it! And anyway, how many bleedin’ musicians do you know who have no financial worries?! ;-) [Ed. (@brid.at)]




Hotpress Magazine, Dublin, July 2004


"Despite a fifteen-year break from the music scene that followed [Ceoltóirí Ghoill’s] split in 1985, Ní Mhaoileoin’s acapella training is evident in her sure, solid vocals. Her debut solo CD Ar Mhuin na Muice (On the Pig’s Back) was produced by Alan Burke, formerly of the band Afterhours, who also contributes guitar and backing vocals to fine effect. While many of the songs here are well-known (‘Green Grows the Laurel’, ‘Stór a Stór a Ghrá’, ‘Bríd Óg Ní Mháile’), Ní Mhaoileoin manages to put her own individual twist on them, to bewitching effect."
Sarah McQuaid, Hotpress Magazine, 15th July, 2004




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The Irish Times, June 2004


"The Donegal singer’s début whispers of gentility, but once the epidermis is peeled away, a strapping personality emerges that’d put legs on the coyest of songs. Ní Mhaoileoin’s vocals are seasoned by her years as a member of Céoltóirí Ghoill, and partnered by guitarist and singer Alan Burke, Ar Mhuin na Muice is laced with a love of history and geography, and a delight in tweaking well-known songs into shapes previously unseen. At times the production leans towards overweening politeness, but Ní Mhaoileoin’s reading of standards and rarities (Níon a Bhaoilaigh), and her feisty a capella version of A Stór a Stór a Ghrá, accompanied by her sister and brother, Caitlín and Pádraig, speak of a singer with an unquenchable fire in her belly."
Siobhán Long,The Irish Times, 25th June, 2004

Caitlín is her mother, not her sister! But sometimes you’d think she was her sister, the way she acts ;-) [Ed. (@brid.at)]




Tradivarium.at, July 2004


Die Sängerin aus dem irischen County Donegal, seit einigen Jahren in Graz wohnhaft, legt hier ein grossartiges Debut hin. Schon der farbenfroh-freche Cover (Bríd vor einer seltsam lächelnden Sonne - letztere blickt normalerweise aus einem Bild des Grazer Künstlers Manfred Url!) lässt einiges erwarten - sehr bunt und abwechslungsreich ist auch die CD geworden.
     In klanglicher Hinsicht bringt "Ar Mhuin na Muice" eine gelungene Mischung - ein weites Spektrum vom fast Orchestralen bis hin zu ganz sparsamen, introvertierten Arrangements. Produziert von ihrem langjährigen Duopartner Alan Burke (bekannt hierzulande durch die Band "Afterhours"), der auch Vocals und Gitarre beisteuert, wurden als Gäste unter anderem der Piper Joe McHugh, Kevin O’Connor (Fiddle), der ausgezeichnete Schweizer Bassist Wolf Zwiauer sowie Bríds Bruder und ihre Mutter Caitlín (Harmony Vocals) geladen. Wer’s nie verwinden konnte, dass die Gruppe Clannad nach ihren wunderschönen und innovativen ersten CDs nach und nach ins Esoterik-Kitsch-Eck abgedriftet sind: hier erwartet euch eine zeitgemäße gültige Fortsetzung dieses Konzepts... und mehr als das!
     Das Songmaterial umfasst grossteils traditionelles Material in gälischer Sprache, Bríds herbe, eindringlich-klare Stimme und ihre sehr persönlichen und frischen Interpretationen lassen jeden Song zu einem besonderen Unikat werden. Der besondere Bezug zu Sprache (Bríd ist mehrsprachig aufgewachsen und auch universitär als Übersetzerin tätig) ist dann auch am ausführlichen Booklet zu erkennen - hier gibt’s die vollen Übersetzungen der Songs, sowie kompetente und teils sehr witzig gehaltene Notizen zu Quellen, Herkunft etc. - für an keltischen Sprachen und Kultur Interessierte sowieso ein besonderer Schatz.
     Die Wahlgrazerin ist naturgemäß auch immer wieder in Österreich zu hören - ein Glücksfall für die einheimische Szene! Alle Infos über ihre Konzerte, Biographie, Photos etc. gibt’s auf www.brid.at - dort kann auch die CD bestellt werden (18,- Euro + Versand).
July 2004  www.tradivarium.at




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www.rootsreview.co.uk May 2004


The debut album of this outstanding singer features a balanced mixture of sean nós songs and ballads, played and sung with much feeling, as well as rhythmic songs - a perfect showcase for the fantastic musicians. Bríd’s singing is sensitive and hauntingly beautiful. She brilliantly carries her words forward and performs some breathtaking sean nós. You can feel her love of the music on Caidé sin don tsé sin? (what’s that to anyone?), one of her favourite songs. Carpe diem! She urges us with her singing while the bodhrán beats the rhythm. Alan, who started out as a percussionist, delights with his vibrant guitar playing, enchants the ballads with his beautiful backing vocals and plays the guitar as well as the bouzouki on traditional songs. The Donegal song An Trucaillín Donn (the little brown cart) deals with the suppression of the Irish language in the beginning of the 20th century. Alan’s beautiful singing is supported by the band’s excellent playing: Bríd on bodhrán, Wolf on base, Kevin on fiddle and Kate on accordion. Kate Dunne plays the accordion with much feeling and passion. Don’t miss her excellent solo on Bídeach na gCarad (sweetest of friends). Joe McHugh not only is a master of the uillean pipes, but he’s a great whistler as well. Kevin O’Connor’s remarkable fiddling contributes to the beauty of this album. Wolf Zwiauer’s driving base, alongside with Bríd’s bodhrán and Alan’s guitar, is responsible for the fine rhythms. Francis McIlduff, a brilliant musician as well, plays the pipes and the whistle on the Donegal song Máire Bhruithneal (you might have heard this song on Clannad’s Live album). Pádraig and Caitlín accompany Bríd on the stunning a capella song Stór a Stór a Ghrá (Darling Darling Dear). This is certainly one of my favourite songs. And Pádraig plays the guitar while Bríd sings and Joe plays the whistles on the Irish version of the song of the 1600s which is known worlwide Cá raibh tú ar feadh an lae uaim? (Where have you been all day). Ian Smith, the sound engineer, plays the piano and adds some backing vocals as well. Another highlight is the traditional children’s song Ailiú Éanaí an a capella performance by Bríd and Alan. Bríd’s voice has been recorded on multiple tracks and the title words have been adapted as well. Thus the singing recalls yodelling sounds in the Alps. I can hear some influence of African chanting as well, no wonder, Bríd spent her first childhood years in Kenya.
Bríd will certainly inspire friends of Irish music with her album. Working with Alan and the brilliant guest musicians this stunning CD is bound to have success and her genuine style is an excellent enrichment to the folk scene.
The CD is published on Habari Records (own label) 2004. Have a look at www.brid.at and you will find plenty of information on Bríd’s different projects.
May 2004  www.rootsreview.co.uk




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www.breizh.de (Breton online magazine published in Germany)


"Das Debüt Album dieser aussergewöhnlichen Künstlerin präsentiert sich mit einer ausgewogenen Mischung von traditionellen a Kapella Liedern, wunderschönen Balladen, gefühlvoll begleitet, und virtuos gespielten, rhythmischen Songs, die die Musiker dazu einladen ihr Können zu zeigen. Brids Spektrum reicht von gefühlvollem und atemberaubend schönem Gesang über eindrucksvoll gesungenen Texten bis zu rhythmisch vorgetragenen Sean Nós Gesängen. Ausserdem spielt Bríd das Bodhrán und die bones. Auf ‘Caidé sin don tsé sin?’, einem von Bríds Lieblingsliedern, hört man die Freude am Spiel heraus. Bodhrán und Gesang drängen uns Carpe diem".
May 2004 www.breizh.de   Click here for full article.www.breizh.de




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Tommy Sands, May 2004


I have known Bríd since she was just a little girl fronting the talented and charming "Ceoltóirí Ghoill". Her solid grounding in both the language and tradition gives her the power of both playfulness and passion. Her voice impatient for fun and breathless with sweet huskiness is a welcome sound after all the years.    
www.tommysands.com
 


Nobody has ever written anything nice or otherwise about me (could it be that they didn't have enough vowels??), so here are some reviews of Alan's two beautiful solo cds.

 

Alan Burke

'On The Other Hand'

APBCD 001 Gurug Records 1997

"Burke's voice is a warm sounding instrument ideally suited for material as diverse as Percy French's hilarious 'Tullinahaw', Richard Thompson's 'You Can't Win' and the traditional 'Yarmouth Town'. However, it is three tracks which stand out, each creating their own atmosphere: Tim Wood's compelling 'Freeman' - a powerful descriptive song; the laid back treatment of Johnny Patterson's vaudeville love song 'Bridget Donaghue' and finally, a beautifully understated reading of 'Idir Corcaigh 'Gus Dughlais', a gaelic song from Co. Cork. These capture Alan Burke in his element, his interpretive skills most gainfully employed. 'On The Other Hand' opens Alan Burke's solo account very well indeed".
Aug/Sept 97 - John O'Regan, Folk Roots

"Burke has a really engaging way of singing, ideally suited to songs such as 'Bridget Donaghue', and he reallv comes into his own when he sings traditional songs such as 'The Bonnie Wee Lassie That Never said No', or 'Tullanahaw'. He has a nice clean approach to the guitar, and on most tracks he only allows himself the indulgence of one other musician, such as Dezi Donnelly or Giles Lewin on fiddle, or Francis Miliduff on whistle or pipes. The production on the most part is clean, unobtrusive and ideal for the material. As well as the trad songs, he covers gems such as Tim Woods 'Freeman' and Richard Thompson's 'You Can't Win' and his version grows more on me each time l hear it. Burke's own song 'What price oil' has the electric treatment for the final track, which adds to the intensity of the song, a protest at the super powers neglect of countries that do not happen to have oil supplies. He could easily concentrate on contemporary song, but on the evidence of this album he still has plenty to add to the power of the tradition".
Nov/Dec '97 - Graham Gurrin, The Living Tradition

This first solo recording from Alan Burke is a good one. Full of variety, half of the songs are traditional (including a great version of that old chestnut 'Yarmouth Town') and the others, excepting Richard Thompson's 'You Can't Win', are from relatively unknown song writers. Arrangements are simple, with electric guitar, fiddle, pipes, whistle or synthesiser, as needed. Burke's voice is endearing, with lots of personality showing through.
Dec 97/Jan '98 - JLe, Dirty Linen, USA

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Alan Burke was the lead voice in Afterhours, a highly respected touring and recording band, who never quite made the headway deserved. 'On The Other Hand', his debut solo album, has him delivering an assured and confident set. The material has a wider net including a more contemporary approach with electric guitars purring away on 'Yarmouth Town'. A sympathetic reading of Tim Wood's undiscovered classic 'Freeman' displays his interpretative skill, while 'Bridget Donaghue' escapes the vaudeville stage and becomes a thing of great beauty. Burke's strengths are his voice, a sweet mellifluous instrument, judiciously used and an understanding of his material. 0This is what makes 'On The Other Hand' such a pleasure. Alan Burke's rites of passage from band leader to first rate solo artist are complete. 'On The Other Hand' proves that.
Autumn/Winter '97/'98 - Rock 'n Reel

Since I've been home, I've been wearing out 'On Ihe Other Hand' . Wonderful album! His rendition of Tim Wood's "Freeman" haunts me. I think he hits a good combination on other selections of good rocking, the sweet traditional tunes, and the great Republican feeling of "Down By The Glenside", "An Dord Feinne" and "TheValley of Knockanure".
November 1997 - Ambrose Clancy, Los Angeles Times

Alan Burke

'Tip Of The Tongue'

APBCD 002 Gurug Records 2001

I first had the pleasure of hearing Alan Burke when Noel Murphy introduced him as a special guest at a pub in Twickenham some years ago. It struck me then just how good an interpreter of traditional songs he was and that has’t changed at all on the strength of this album. Opening with ‘The Longford Weaver’ (forever to be associated with Andy Irvine) he puts his own stamp on the song joined by Francis McIlduff on Uilleann pipes and the sweet toned fiddle of Henry Sears. There is much to admire in Alan’s free-flowing vocal style, which proves that year’s of hard work, can pay dividends in maintaining a natural timbre. Hopefully taken in the complimentary way it is intended, many of the arrangements sound as if they could be by an early line-up of Planxty. In addition to his vocal prowess, Alan is a not inconsiderable accompanist on guitars, bodhran and darabuka while contributions from Miranda Sykes double bass, John Harris celtic harp and Andrew Butler’s keyboards lend musical weight to a magic recording. For those of you that enjoy a bit of subtlety in your performance then this recording is for you. Purveyor of taste and an all round good guy check out Alan on one of his gigs or, even better, buy this album! Available from ADA Distribution, PO Box 800, Belper, DE56 2ZA
October 2001 - Pete Fyfe, www.folking.com

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